1.Fees are always a matter for negotiation between the festival organizer and an adjudicator. The fees provide for a public and private adjudication. Should a written report be required by a group an additional fee should be paid.
2.Members should request that festival organisers print the words “Association of Drama Adjudicators” after the name of the adjudicator on posters, programmes, press releases and all promotional material relating to the festival.
3.All arrangements agreed between a festival and an adjudicator shall be confirmed in writing by both parties.
4.Members of the association are not permitted to advertise, or solicit, engagements by any means.
5.Members shall undertake to observe all the rules and conditions under which a particular festival is held. Members should ask festival organisers to provide them with a copy of the relevant rules.
6.It is the duty of a member where personal interest might be considered to bias judgement to give this information at once to the organisers of the festival.
7.No member shall be associated with any amateur drama group in any way that might result in a conflict of interest as an adjudicator.
8.Members should tailor the length of the public adjudication to the time requested by the festival organisers. The private adjudication should last for about 45 minutes for a full-length play and 15 minutes for a one-act play.
9.While each adjudicator’s style is distinctive, the public adjudication should be structured along the following lines;-
10.Festival committees may occasionally fee that an adjudicator has given cause for complaint. They are invited to make an official complaint to the association IMMEDIATELY so that the matter may be investigated in the interests of the festival, the adjudicator, and the ADA. Complains will only be accepted from festival committees or through the ADCI, AUDF, or the DLI. It should be appreciated that it is very difficult to deal with delayed complaints.
11.No member of the association may accept any engagement for adjudication on less than these minimum terms and conditions. In the event of such an offer of engagement being made to a member, it should be referred to the executive committee. The permission of the committee for any departure there from shall only be given in exceptional circumstances.
Details of the conditions of engagement are covered in the previous section. However, organisers, particularly those setting up a new festival, or those new to festival organisation, will find the following notes helpful.
1.Organisers of festivals are asked to print “Association of Drama Adjudicators” after the name of the adjudicator on posters, programmes,press releases and all promotional material relating to the festival.
2.Adjudicators appreciate being met on arrival and it is helpful if a member of the committee is appointed to liaise with the adjudicator throughout the festival, in order to see to any requirements which may arise: such as conducting them onto th estage for the public adjudication, introducing them to th eproducer or leader of the group after the performance, and arranging for the adjudicator to inspect the stage and the lighting and sound equipment before the first performance.
3.The adjudicator must have complete copies of the plays (showing clearly any cuts or additions a group may propose to make to the text) at least two weeks in advance of the festival. In order to comply with ADCI and AUDF rules, photocopies of plays in print and available are not acceptable.Photocopies are acceptable for unpublished plays and for plays out of print. It is essential in all cases that all pages including the frontispiece be included. The adjudicator will return scripts on the final night of the festival in order that they be returned to the group to which they belong.
4.The adjudicator’s seat should have an uninterrupted view of the stage, be provided with a table that allows sufficient room on which to work and accommodate papers, have a shaded light that can be easily turned on and off without distracting players or audience (an electric torch is not acceptable); Ideally, a seat should be left vacant on either side of the adjudicator to avoid crowding and afford the adjudicator some privacy
5.A programme should be provided and adjudicators should be advised of any changes to the cast, or the running order.
6.A list of awards should be provided on the first night of the festival at the latest.
7.The adjudicator should be provided with an official marking sheet and a copy of the rules under which the festival is being run.
8.Hotel accommodation with full board should be arranged for the adjudicator reasonably near the festival venue. If there is no hotel within reasonable distance of the venue other suitable accommodation may be arranged. It should be appreciated that the adjudicator both lives and works in the hotel room for the duration of the festival, so it is necessary that the room be adequately heated, equipped with a work table and desk lamp, and electrical points for word processors, etc. Arrangements should also be made for the adjudicator to have a meal on arrival.
9.Most adjudicators are happy to be interviewed on local radio about the festival – as long as it is not too early in the morning!
10.Group rarely request written reports. However, should they be required, a fee must be paid to the adjudicator. It is the festival’s responsibility to collect this from the group and pay it to the adjudicator.
11.If there are extra activities associated with the festival such as play-reading competitions, schools festivals, etc, fees for these are a matter of negotiation between the festival and the adjudicator.